The Faceless are a technical metal band from the Los Angeles area who have formed to astonish their live audiences with dizzying guitar work, lightning fast drumming and unmatched brutality. Formed by guitarist Michael Keene and bassist Brandon Giffin, the band quickly found the perfect mix of dedicated musicians to complete the line up.
Drummer Brett Batdorf having played a brief stint with Himsa and long time drummer of the acclaimed Los Angeles death metal band Tchildres complimented the group perfectly and was added to the line up soon after. The combination of blistering guitar work, complex and fast-paced rhythms, offset by haunting keyboards and brutal vocals from singer Jeff Ventimiglia set The Faceless in a class with the metal legends who have come before to change metal forever. The Faceless have developed a large following from their dead accurate live performance and the online success of 3 songs recorded and produced by guitarist Michael Keene. The band has already become a buzz in the metal scene drawing up to 300 kids at local shows. The Faceless is quickly rising to the top in a sea of mediocrity to claim their place in metal virtuosity.
In the past year The Faceless have been lucky enough to share the stage with such talented acts as: Cephalic Carnage, Vital Remains, Impaled, Through the Eyes of the Dead, Animosity, Ed Gein, The Number 12 Looks Like You, Into The Moat, Reflux, On Broken Wings, From A Second Story Window, Ion Dissonance, Crematorium, Phobia, Light This City, Neuraxis, Job For A Cowboy, Intronaut, Anal blast, All Shall Perish, Winter Solstice, Radiation 4, The Red Death, Embrace The End, Psyopus, Deadsoil, Glass Casket, and many others.
In 2000, vocalist David Davidson, drummer Phil Dubois-Coyne and bassist Anthony Buda, who attended a high school in Boston, Massachusetts, formed Cryptic Warning, influenced by Guns N' Roses and Metallica. The band's sound is known for being a fusion of technical death metal and thrash metal. Davidson developed his playing technique by attending the Berklee College of Music, where he focused on polyrhythm for jazz. This musical education brought him a expertise in both playing and songwriting, while "some of the atonal aspects of jazz gave him a different perspective on composing and soloing.